![]() For while Rashad’s technical abilities may not be entirely up to snuff, he does have something to talk about so if he could do it decently well, the result would be fruitful. The most important one here is the lyrics. Lazy flows (not always lazy in a bad sense, but never quite distinguishable from each other), rhyme schemes that hint at complexity but never quite make the plunge into the sea of inner, near, and end rhyme packages, and subpar lyrics. ![]() Rashad has a knack for rapping in the way that, well, in the way that he does it over and over again. Unfortunately, even when regarding Rashad’s new album The Sun’s Tirade with a bit of flexible judgment, the report card doesn’t come out looking too pretty. For this reason, when another, lesser known Top Dawg member such as Isaiah Rashad takes a shot at album greatness, it should not always be graded up to the thirty foot high jump bar set by his label mates. Artists like Kendrick Lamar, Schoolboy, Jay Rock and Ab-Soul are not in any way easy acts to follow. ![]() This is understandable in many regards, particularly when you look at the label’s track record of solid albums such as Good Kid, M.A.A.D City, To Pimp A Butterfly, Oxymoron, 90059 and Control System. There is a high standard held by fans for T.D.E. Isaiah Rashad The Sun's Tirade (Tog Dawg) ![]()
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